Symposium

Mutualisms Symposium: Art and Reciprocity
Sunday September 11, 1-5 pm
At Co-Prosperity Sphere, 3219 -21 South Morgan Street, Chicago

As part of the group exhibition “Mutualisms” Erik Hagoort and Caroline Picard have organized a symposium to address the theme of art & reciprocity, together with all the artists participating in “Mutualisms” and special guests (Jason Pallas, Anni Holm, Abigail Satinsky, and Karsten Lund).

Curator Karsten Lund gave a great talk about art and reciprocity – how it relates to capital and how we might try to reframe the equation so that it centers on intimate support rather than a larger, more public praise-for-legitimacy.

  Artist Jason Pallas gave an intriguing talk about two projects, the Ghetto Bus Tour Project and his project at Elsewhere residency.

  The beginning of this reading was cut out, unfortunately. But the essay Abby Satinsky is reading comes from her book The Importance of Being Iceland. This reading served as the opener to the rest of the day’s events.

About the panelists:

Anni Holm
Anni Holm, is the Co-Founder, Director and Curator of People Made Visible, Inc. (PMV). PMV is a non-for-profit organization based in the city of West Chicago with a mission to facilitate community while fulfilling the artistic, social, educational and cultural needs of the community through an innovative physical and web based presence. Besides claiming to be a conceptual artist, she works as the Art Coordinator at Waubonsee Community College in Sugar Grove, IL, and has been a teaching artist with CAPE (Chicago Arts Partnership in Education) since 2009.
http://anniholm.com

Abigail Satinsky
Abigail Satinsky is the director of programming at Threewalls where she amongst other things initiated Community-Supported Art Chicago, a yearly art subscription service of locally produced art and developed PHONEBOOK 3, a directory of independent art spaces, programming, and projects throughout the United States. She is furthermore a member of InCUBATE, a research group dedicated to exploring new approaches to arts administration and arts funding. Their activities have manifested in a series traveling exhibitions called Other Options, an artist residency program, and various other projects such as Sunday Soup.
 http://www.three-walls.org/
http://incubate-chicago.org/

Karsten Lund
Since moving to Chicago, Karsten Lund has worked as a curator and a writer, and pursued a variety of other creative pursuits. He is currently a curatorial assistant at the Museum of Contemporary Art, Chicago and from 2007 to 2009 he worked as a research fellow at the Museum of Contemporary Photography (MoCP). Karsten is currently organizing an experimental exhibition, with four artists, which will be staged at a former factory in West Humboldt Park next month and again at the Hyde Park Art Center in fall 2012.
http://www.mcachicago.org/
http://www.hydeparkart.org/exhibitions/2012/09/two_histories_of_the_world.php

Jason Pallas
Jason Thomas Pallas (USA) has worked on collaborative, community-based projects for the past 8 years. As an example, he founded an after-school and summer arts organization for at-risk Latino youth called “Art Y Más”. In his artistic practice, J. Thomas has teamed up with the late activist Beauty Turner for a series of Ghetto Bus Tours, where participants visit Chicago Housing Authority sites to interact with the residents for mutual understanding. In general, Pallas’ work occupies the intersection of the popular, the personal, and the political.
http://jthomaspallas.com

Kevin Kaempf
“People Powered”, formed by Kevin Kaempf (USA) and Lora Lode(USA), designs experimental pilot programs that integrate art, environmentalism, and communities. Examples are the re-use of bikes (“Shared: Chicago Blue Bikes”) and the recycling of excess latex paint (“Loop Limited”). By presenting these projects in exhibitions and public locations in the city, People Powered creates a platform for discussing how these practices may intersect.
http://www.peoplepowered.org

Rune Peitersen
Rune Peitersen (NL) is a visual artist, focusing on the retinal, but this doesn’t exclude taking position in society as an artist, when needed. Together with other artists Peitersen initiated Platform Re-set, an action group using the knowledge and tools that artists have, to react to alarming recent developments in the political climate in the Netherlands: “At the moment artists and the arts are being talked about, not addressed directly. We want to reaffirm our position in society. “
http://www.platformre-set.nl/manifesto-en

Philippine Hoegen
Research, display, context, collaboration (often with Carolien Stikker) are some of the keynote concepts in the work and activities of Philippine Hoegen (NL). With other artists in 2010 Philippine Hoegen started Calcite Revolt: an initiative created to provide and research new models of interaction and collaboration between artists, curators and theorists. Critically regarding common structures and hierarchies, its aim is to develop productive, fluid and adventurous ways of contributing to each others development and practice.
http://www.philippinehoegen.com
http://www.calciterevolt.com/bulletin

Marjolijn Dijkman
Through her diverse work Marjolijn Dijkman (NL) often considers the foundations of how we perceive and experience our surroundings. Perception is for Dijkman always embedded, contextual, therefore her practice has concerned itself with for example futurology, public space, knowledge organisation, cartography, utopian architecture or environmentalism. In 2005 together with Maarten Vanden Eynde she founded Enough Room for Space (ERforS). ERforS is an artist-run organization to create a platform where investigations by individual participants in projects can overlap and lead to new collaborations.
http://www.marjolijndijkman.com
http://www.enoughroomforspace.org

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